Movies

News

Marvel’s X-Men Movie May Have Found Its Director

By Dais Johnston

From the misfits to the mutants.

The Inverse Interview

Why A24’s 'Friendship' Doesn’t Look Like Any Other Comedy Movie

By Hoai-Tran Bui

Director Andrew DeYoung talks finding inspiration in Terrence Malick and more.

Isac Calmroth and Lea Myren in The Ugly Stepsister
The Inverse Interview

How 'The Ugly Stepsister' Found Beauty In The Grotesque

By Lyvie Scott

Writer-director Emilie Blichfeldt breaks down the influences of her dark fairytale remix.

News

Marvel’s X-Men Movie May Have Found Its Director

By Dais Johnston

From the misfits to the mutants.

The Inverse Interview

Why A24’s 'Friendship' Doesn’t Look Like Any Other Comedy Movie

By Hoai-Tran Bui

Director Andrew DeYoung talks finding inspiration in Terrence Malick and more.

The Inverse Interview

How 'The Ugly Stepsister' Found Beauty In The Grotesque

By Lyvie Scott

Writer-director Emilie Blichfeldt breaks down the influences of her dark fairytale remix.

Inverse Recommends

The Most Surprising Thriller of 2025 Is The Perfect Blend of Comedy and Horror

By Jake Kleinman

Josh Ruben’s horror-comedy finds the ideal median between the two genres.

MCU

Did Alan Cumming Just Spoil A Big 'Avengers: Doomsday' Fight?

By Lyvie Scott

Earth’s Mightiest Heroes don’t always see eye-to-eye with the X-Men.

Retrospective

The Most Ambitious 'Alien' Knockoff Is Still Quietly Chilling

By Rory Doherty

In space, no one can hear you speak German.

MCU

Two Marvel Movies Changed 'Thunderbolts*' For The Better

By Lyvie Scott

Finding a perfect Marvel villain is easier said than done.

DC

DC’s 'Clayface' Movie Is Getting A Rewrite, For Some Reason

By Lyvie Scott

A “writer-driven” approach can only take the DCU so far, it seems.

Movies

These 10 Upcoming Hollywood Blockbusters Could Be in Danger From Trump’s Tariffs

By Lyvie Scott

Will tariffs deprive us of a blockbuster summer?

Retrospective

Christopher Lee’s Best Dracula Sequel Almost Didn’t Happen

By Jon O'Brien

Taste the residuals.

OSZAR »